![]() ![]() I thought that was quite interesting and creative he utilized what he had to create. He recalled visiting Kirk in New Jersey: "He didn't have enough fingers to play the sounds he wanted to hear on the piano, so I suggested that he put a pencil in his mouth and use that to get what he wanted. Yusef Lateef described Kirk as "one of the creative icons of the last century and of our century, noting that "his contributions to culture speak for themselves.of evolution, sincerity and creativity. "He really stretched it out, Curson observed, "and it was always a pleasure to hear.he was always trying something with those horns. He also marveled at Kirk's ability to go " everywhere without a seeing-eye dog. The peephole opened, followed by, "Hey Ted, come on in! Considering his blindness, Curson still doesn't know how Kirk recognized him. Disgruntled with Kirk's habit of waking him at all hours to demonstrate new inventions (e.g., a flute fitted with a trumpet mouthpiece), Curson sought revenge: setting the alarm for 4:30 AM, he went to Kirk's door and knocked. Trumpeter Ted Curson once shared a building with Kirk off of Tompkins Square Park. In search of this man, I sought out some of the people who knew and associated with him. A complex man of seemingly paradoxical traits, he was a childlike prankster with old-soul wisdom, a self-touting egoist who humbly honored his musical forefathers, a tradition-bound futuristic pioneer, a highly combative man who'd walk that extra mile for a friend, a vaudevillian show-boater who took music more seriously than most—in sum, an unorthodox and ultimately uncategorizable original. ![]() 5th, 1977) approaches, Rahsaan Roland Kirk remains a palpable presence and pervading influence, musically and personally. As the thirtieth anniversary of his passing (Dec. ![]()
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